When Inspector Tanner is called to the Lebanon family home following a murder at a fancy dress party, it becomes clear that nothing is as it seems. Why is Lady Lebanon so keen for her soon to marry, Isla Crane, a distant cousin, when neither of them are very keen? Why does Dr Amersham visit so frequently? And why does the servant Gilder always seem to be listening in to conversations? Slowly but surely, a family secret is unveiled.
This production by the Classic Thriller Theatre Company was an entertaining evening at the theatre with a silly but fun story. Rula Lenska was suitably authoritative as Lady Lebanon and Gray O’Brien was convincing as Inspector Tanner.
During the Spanish Civil War, a young American volunteer who has experience as a dynamiter, Robert Jordan, is sent to the mountains near Segovia to join a rebel group that will help him blow up a bridge to try and prevent the fascist enemy troops from responding to an upcoming attack.
This novel is very character driven and effectively conveys the intense relationships that develop during a time of war. However, the writing style is difficult and it took me a while to get used to it, although I can understand Hemingway’s decision to try to make the novel feel ‘foreign’, using English that reads as if it were a direct (bad) Spanish translation, such as
‘I obscenity in the milk of all of you’
There are also some very long sentences and some fairly long passages with stories told by members of the rebel group that do not add to the plot at all.
This has a slow moving plot and the writing style is a little challenging at first, but it is worth a read for the conditions during the Spanish Civil War and the power struggles that can arise in a group of guerrillas.
Eleanor Oliphant is 30 years old and lives alone in Glasgow. She has a set routine, wearing the same clothes and eating the same food each day of the week, including drinking two bottles of vodka at weekends. She is very isolated, but when she sees a man collapse on the street and goes to help she suddenly finds herself interacting with new people, and gradually her life begins to change.
This was a fantastic read, and at times hilarious. Some of Eleanor’s social observations are hysterical, and I found myself cringing when she spoke with no filter at all. It is also heartbreaking at times, such as learning of the trauma Eleanor experienced as a child, and her descriptions of her loneliness, which were sometimes difficult to read.
These days, loneliness is the new cancer – a shameful, embarrassing thing, brought upon yourself in some obscure way. A fearful, incurable thing, so horrifying that you dare not mention it; other people don’t want to hear the word spoken aloud for fear that they might too be afflicted.
I did find some of Eleanor’s lack of awareness unbelievable at times – for example, I find it hard to believe that she’d have no idea what a high 5 is. However, these are only very minor quibbles. I loved this book and would recommend it to everyone.
Edmond Kirsch, a futurist and outspoken atheist, is assassinated while giving a presentation at the Guggenheim Museum in Bilbao that he claims will have a catastrophic impact on the future of the world’s religions. His former teacher, Professor Robert Langdon, along with the curator of the museum, Ambra Vidal, set out to try and find another way to reveal Kirsch’s presentation to the world, which he claimed would finally definitively answer humanity’s two most important questions, ‘Where do we come from?’ and ‘Where are we going?’
As with other Robert Langdon stories, the action is fast paced and moves between several locations in Spain, including Barcelona and El Escorial. As someone who lived in Spain for eight months and visits the country regularly, I really enjoyed knowing some of the settings. The novel includes interesting themes, such as the future of technology, particularly Artificial Intelligence, (Langon and Vidal have the help of a supercomputer built by Kirsch, namely a Siri/Alexa type character called Winston) and connections between science and religion.
This is a fun read, although almost inevitably after the huge build up the final reveal from the presentation is anticlimactic. It also lacks a lot of the symbolism that I particularly enjoyed in The Da Vinci Code. However, for some escapism and enjoyment, I would definitely recommend this novel.
After Sandor saves Little Joe from jumping in front of a tube train, he tells him that as he saved his life, his life now belongs to him. Sandor begins to tell Little Joe a story about a princess who was kidnapped, but as the story develops it becomes clear that it may not be fiction, and Little Joe realises his role as a ‘gallowglass’, the servant of a chief, in Sandor’s plan.
Gallowglass is based on the novel of the same name by Ruth Rendell, but writing as Barbara Vine. I haven’t read the book so cannot make any direct comparisons, but this play felt very much like an adaptation. What I mean is, a good adaptation should sound and feel like an original whereas this didn’t. Without having read the book, I could tell that structurally it was trying to keep very close to the original narrative, and therefore it didn’t flow smoothly at times. There was a lot of setting up to do at first, and then it also meant that we were given a lot of important information extremely suddenly in the last five minutes, without time to process or receive an explanation for what had happened.
As for the actors there were some good performances byPaul Opacic as the driver, Dean Smith as Little Joe and Rachael Hart as Tilley. Smith and Hart brought some much needed humour at times. However, sometimes it was difficult to hear some of the other actors, and there is no excuse for that as professional actors should be able to project their voices adequately. The set design was clever, with the stage split in half to show two different domestic settings and then a screen coming down in front showing projections for other locations. Some of the scene changes were a little slow and clunky however, and the staging meant that people sitting on the far sides would miss quite a lot of the action at times.
Overall this was underwhelming, There were some plot points I also questioned but as I haven’t read the novel I don’t feel it’s fair to raise them here as I’m not sure whether they’re relevant to the book too and therefore not the play’s fault. It is a good premise for a story, but I feel it could have flowed a lot better. Other book to play adaptations have worked very well, and it’s a shame this fell short of the mark.
Wilbur the pig is the runt of his litter, and after Fern Arable saves him from being slaughtered he is sold to her uncle who keeps Wilbur in his barn. When it seems that Wilbur may once again be facing death, his new friend Charlotte the spider decides to help him by writing messages in her web to persuade the farmer to let him live.
I am not the target audience for this book but as I’d never read it as a child I decided to give it a try. It is a very sweet story about friendship and I enjoyed the characterisations. I would recommend this as a book for young children, but be warned that there are some sad moments.
Mort, an awkward teenager, is recruited by Death as his apprentice. One evening when covering for Death, he decides not to follow the rules and allow Princess Keli to live, but this has a disastrous consequence on reality which he must try and fix.
This is the fourth novel in the Discworld series and is probably my favourite so far. It is full of humour and I loved the characterisation of Death. I look forward to seeing him in more Discworld novels.
Rey (Daisy Ridley) has found Luke Skywalker (Mark Hamill) and with his guidance develops her new found skills. The resistance are fighting the First Order, and Finn (John Boyega), his new friend Rose (Kelly Marie Tran) and BB8 head off on their own mission to help the cause.
I am not that familiar with Star Wars at all but mostly enjoyed this very much. The action sequences were great and there were plenty of twist and turns in the plot. It was also very easy for me to follow despite not being an aficionado, but I’m sure there were plenty of in jokes for bigger fans of the franchise. I did feel however that it was too long. Without giving anything away, there was one point where I thought the film was coming to and end but there was actually about another 20 minutes to go, and by then I’d started to get a little disengaged. However, this was very enjoyable and will hopefully push me to finally watch other films in the series!
At the outbreak of World War Two, 8 year old William Beech is evacuated to the village of Little Weirwold and sent to love with an elderly man called Tom Oakley. At first he is extremely timid and nervous due to his strict upbringing by his mother who is a religious fanatic, but gradually he develops confidence and begins to love his new life in the country. After a few months, he receives a letter saying that his mother is unwell and wants him to go back to London. A few weeks later, not having heard a word from William, Tom decides to go to London with his dog Sammy to find out what’s happened.
I really enjoyed the first half of this book but afterwards I felt the plot became a little disjointed. I also didn’t always find William’s character development believable, such as when he and his friends decide to investigate the spooky house in the village and he is the only one brave enough to go ahead. I did however love the character of Tom, and thought the writing was very effective when describing William’s life with his mother.
Michael Harrison is a bit of a prankster, so on his stag do his friends decide to get their revenge by burying him alive for a few hours in a coffin. However, before they can let him out, they are killed in a car accident. Detective Superintendent Roy Grace must try and find out where the missing groom is, and whether his bride may know more than she’s letting on.
I had actually seen a play version of this story before reading it and although I could remember the main premise I had forgotten some details so it did not spoil my enjoyment. I thought it was very well written, particularly the chapters about Michael in the coffin which were fantastic at portraying the claustrophobia and were very uncomfortable to read. I also really liked Roy Grace as a character, and I’m looking forward to reading more in the series.