In many ways it must be a daunting task trying to think of an original idea to tell such a well known story as A Christmas Carol by Charles Dickens, but Jack Thorne has managed it excellently for this new adaptation at the Old Vic over Christmas.
Arriving at the theatre, audience members are offered a mince pie and a satsuma by costumed actors which is a lovely touch to set the mood. The stage is set in the rounds, and the set is very minimum throughout, with four door frames onstage and lots of lanterns above as the main design.
As for the story, there are a few changes and additions. The three ghosts are all female, all in some ways echoes of Scrooge’s sister, Little Fan. None are frightening; Marley’s ghost is the only slightly scary apparition, who walks bound in chains along a walkway from the back of the stalls towards Scrooge. As well as developing the characterisation of Fan, there is also more emphasis than usual on Scrooge’s childhood, particularly his relationship with his father, who was cruel and drove the family into debt. We also see more of Scrooge’s relationship with his first love, Belle.
Rhys Ifans is a fantastic Scrooge, and his transformation from bitter and angry to forgiving and caring is very moving at times, particularly during a scene where he sees his younger self sat on his coffin. His delight when he awakes on Christmas morning is wonderfully atmospheric when he involves the audience in transferring and collecting the food to take to the Cratchits’ house.
The use of music throughout the production is fantastic, showing that the ‘carol’ element of the title is often forgotten. There is a small group of musicians and the actors sing, but the most effective music comes from the handbells used by the entire cast, particularly at the end.
A magical production that has captured the spirit of Christmas. Wonderful!